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(1) Contains scales with five-tone (pentatonic) cores with auxiliary
tones; (2) Instruments can be heard separately rather than merged; (3) Has a maximum effect from a minimal amount of sound; (4)The music is very simular to verbal expression; (5) Limited use of detailed notations; (6) Generally does not repeat or return to previous themes
or sections; (7) Has an emphasis on melodic or rhythmic tension, with little
harmony in the Western sense; (8) Uses melodic type patterns that end to move in progressions,producing
a sense of forward motion like that created in Western music by chords;
Hirajoshi Scale C,D,Eb,G,Ab or 1,2,b3,5,b6
Ichikosucho Scale C,D,E,F,F#,G,A,B or 1,2,3,4,#4,5,6,7
Taishikicho Scale C,D,E,F,F#,G,A,A#,B or 1,2,3,4,#4,5,6,#6,7
Pentatonic Minor Scale C,Eb,F,G,Bb or 1,b3,4,5,b7 "In Sen" Scale E,F,A,B,D# or 1,2,4,5,#7 Yo scale D,E,G,A,B or 1,2,4,5,6 The Yo scale is a pentatonic scale used in Japanese gagaku imperial court music and Buddhist shomyo chants. Kumoijoshi scale C,D,F,G,A or 1,2,4,5,6 Iwato scale C,Db,F,Gb,Bb or 1,b2,4,b5,b7 Hemitonic Pentatonic A,B,C,E,F or 1,2,3,5,6
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